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Bearded man vfx breakdown
Film & TV

How Image Engine Used Nuke And Mari On Logan

Crafting a CG human: no easy feat.

Magnopus Award Gallery Header
VR/AR/MR

The Big Interview: Ben Grossmann, co-founder and CEO of Magnopus

We interview Academy Award-winning visual effects supervisor and virtual reality (VR) director, Ben Grossmann, CEO of Magnopus.

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VR reality check
VR/AR/MR

VR: It’s time for a reality check

People really want VR to work - but will it? Mass adoption and ‘true’ immersion are still a long way off, and there’s a mountain to climb to get there.

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HD in Ultra
Film & TV

Scaling upwards for the Ultra HD and HDR future

With the high demands of today's media productions set to grow, the smart solution is to adopt scalable tools that can already handle the challenges of tomorrow, today.

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VFX in the modern age by Foundry
Film & TV

Better, faster, stronger: VFX in the modern age

A look at the way VFX studios are evolving to meet the changing needs of the industry.

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Deadpool on bridge
Film & TV

How Atomic Fiction Uses Katana

Creating the worlds behind Ghost in the Shell, Deadpool and The Walk.

Visual Effects Oscar winners
Film & TV

95th Academy Awards

Discover how Foundry provided the VFX tools behind every single film nominated in the Best Visual Effects category at the 94th Academy Awards.

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Final Fantasy XV uses Nuke
Design

SQUARE ENIX deliver KINGSGLAIVE FINAL FANTASY XV

Nuke helps bring the Final Fantasy XV universe to the big screen.

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kubo and two strings
Film & TV

Katana helps Kubo and the Two Strings wow the critics

To accomplish the CG and stop-motion action for Kubo LAIKA turned to Foundry’s Mari and Katana®. Read how they helped create their latest masterpiece.

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